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No Offense, But Marc-Antoine Charpentier's "Regles de Composition" is Wrong About the Keys, and Here's Why

No Offense, But Marc-Antoine Charpentier's "Regles de Composition" is Wrong About the Keys, and Here's Why

you know the list. "gay and warlike." "obscure and sad." "serious and pious." nonsense

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Phil Christman
Mar 20, 2024
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No Offense, But Marc-Antoine Charpentier's "Regles de Composition" is Wrong About the Keys, and Here's Why
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Every so often this little chart goes viral again, often with an invitation to readers to pick themselves, as it were, out of the image:

This apparently comes from, as the caption tells us, a 17th-century composition book. Now maybe they just had emotions Different in the late 17th century. A lot can change about subjective experience in four hundred years. Harold Bloom said Shakespeare invented human interiority only like a hundred years before that, so really, maybe it’s like how babies can’t see yet. We were still working out the kinks. We were test-driving our feels. Still, anyone who has perfect pitch and very strong, immediate emotional reactions to certain pieces of music — i.e. me — can see at a glance that this is wrong. Allow me to give some quick examples.

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